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Journal of the American Musicological Society

Table of Contents

Vol. 68 No. 1, Spring 2015

Articles

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    Fragments of an Eleventh-Century Beneventan Gradual
    Alejandro Enrique Planchart
    (pp. 1-38) DOI: 10.1525/jams.2015.68.1.1
  • You have accessRestricted access
    Staging Singing in the Theater of War (Berlin, 1805)
    Katherine Hambridge
    (pp. 39-98) DOI: 10.1525/jams.2015.68.1.39
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    Carlos Chávez’s Polysemic Style:Constructing the National, Seeking the Cosmopolitan
    Leonora Saavedra
    (pp. 99-150) DOI: 10.1525/jams.2015.68.1.99
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    Digital Analogies:The Keyboard as Field of Musical Play
    Roger Moseley
    (pp. 151-228) DOI: 10.1525/jams.2015.68.1.151

Reviews

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    Review: Dramatic Expression in Rameau’s “tragédie en musique”: Between Tradition and Enlightenment
    Olivia Bloechl
    (pp. 229-233) DOI: 10.1525/jams.2015.68.1.229
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    Review: Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century
    Davinia Caddy
    (pp. 233-238) DOI: 10.1525/jams.2015.68.1.233
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    Review: MP3: The Meaning of a Format
    Daniel Villegas Vélez
    (pp. 239-244) DOI: 10.1525/jams.2015.68.1.239

Contributors to This Issue

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    Contributors to This Issue
    (pp. 245-246) DOI: 10.1525/jams.2015.68.1.245

Publications Received

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    Publications Received
    (pp. 247-252) DOI: 10.1525/jams.2015.68.1.247

Directions to Contributors

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    Directions to Contributors
    (p. 253) DOI: 10.1525/jams.2015.68.1.253
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Journal of the American Musicological Society: 68 (1)
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