Journal of the American Musicological Society: 68 (1)

Vol. 68 No. 1, Spring 2015

Articles

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Fragments of an Eleventh-Century Beneventan Gradual
Alejandro Enrique Planchart

(pp. 1-38) DOI: 10.1525/jams.2015.68.1.1
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Staging Singing in the Theater of War (Berlin, 1805)
Katherine Hambridge

(pp. 39-98) DOI: 10.1525/jams.2015.68.1.39
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Carlos Chávez’s Polysemic Style:Constructing the National, Seeking the Cosmopolitan
Leonora Saavedra

(pp. 99-150) DOI: 10.1525/jams.2015.68.1.99
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Digital Analogies:The Keyboard as Field of Musical Play
Roger Moseley

(pp. 151-228) DOI: 10.1525/jams.2015.68.1.151

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Review: Dramatic Expression in Rameau’s “tragédie en musique”: Between Tradition and Enlightenment
Olivia Bloechl

(pp. 229-233) DOI: 10.1525/jams.2015.68.1.229
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Review: Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century
Davinia Caddy

(pp. 233-238) DOI: 10.1525/jams.2015.68.1.233
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Review: MP3: The Meaning of a Format
Daniel Villegas Vélez

(pp. 239-244) DOI: 10.1525/jams.2015.68.1.239

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Contributors to This Issue
(pp. 245-246) DOI: 10.1525/jams.2015.68.1.245

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Publications Received
(pp. 247-252) DOI: 10.1525/jams.2015.68.1.247

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Directions to Contributors
(p. 253) DOI: 10.1525/jams.2015.68.1.253