Skip to main content

  • HOME
  • CURRENT ISSUE
  • ALL ISSUES
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Advertisers
    • Members
    • Subscriptions and Single Issues
  • MORE
    • Alerts
    • Contact Us

  • Login

  • Advanced search

  • Login
Advanced Search
  • HOME
  • CURRENT ISSUE
  • ALL ISSUES
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Advertisers
    • Members
    • Subscriptions and Single Issues
  • MORE
    • Alerts
    • Contact Us
Journal of the American Musicological Society

Boris Godunov and the Terrorist
Emily Frey
Journal of the American Musicological Society, Vol. 70 No. 1, Spring 2017; (pp. 129-169) DOI: 10.1525/jams.2017.70.1.129
Emily Frey
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
  • Article
  • Figures & Data
  • Info & Metrics
  • PDF
PreviousNext
Loading

Article Figures & Data

Figures

  • Tables
  • Example 1
    • Download figure
    • Open in new tab
    • Download powerpoint
    Example 1

    Musorgsky, Boris Godunov, act 1, scene 1 (Cell Scene), mm. 266–68

    Pimen: The murdered tsarevich lay in blood

  • Example 2
    • Download figure
    • Open in new tab
    • Download powerpoint
    Example 2

    Musorgsky, Boris Godunov, act 1, scene 1 (Cell Scene), mm. 299–301

    Pimen: A miracle! … Suddenly the dead body trembled …

  • Example 3
    • Download figure
    • Open in new tab
    • Download powerpoint
    Example 3

    Musorgsky, Boris Godunov, act 1, scene 1 (Cell Scene), mm. 319–22

    Pimen: Yes: it has been twelve years. He would have been your age—and reigning! …

    At these words, Grigory regally sits up to his full height, then with false modesty sinks again onto the bench.

  • Example 4
    • Download figure
    • Open in new tab
    • Download powerpoint
    Example 4

    Musorgsky, Boris Godunov, act 1, scene 2 (Inn Scene), mm. 99–103

    Varlaam takes notice of Grigory, who sits at the table, lost in thought.

  • Example 5
    • Download figure
    • Open in new tab
    • Download powerpoint
    Example 5

    Musorgsky, Boris Godunov, act 1, scene 2 (Inn Scene), mm. 250–60

    Varlaam: His hat is on his head, he sticks out like a pole!

    Grigory: Innkeeper! Where does that road lead?

    Innkeeper: To Lithuania, sir.

    Grigory: And is it far to Lithuania?

  • Example 6
    • Download figure
    • Open in new tab
    • Download powerpoint
    Example 6

    Musorgsky, Boris Godunov, act 3, scene 2 (Fountain Scene), mm. 445–51

    Pretender: Don't reject my delirious love!

    Marina (pushing him away with her foot): Get up, tender lover. Don't torture yourself with these vain entreaties.

  • Example 7
    • Download figure
    • Open in new tab
    • Download powerpoint
    Example 7

    Musorgsky, Boris Godunov, act 3, scene 2 (Fountain Scene), mm. 481–83

    Pretender: From every corner of Russia, we will fly to battle …

  • Example 8
    • Download figure
    • Open in new tab
    • Download powerpoint
    Example 8

    Musorgsky, Boris Godunov, act 3, scene 2 (Fountain Scene), mm. 509–12

    Marina: Oh, tsarevich, I beg you, don't curse me for my wicked words.

  • Figure 1
    • Download figure
    • Open in new tab
    • Download powerpoint
    Figure 1

    Ilia Repin, D. V. Karakozov (1866)

  • Figure 2
    • Download figure
    • Open in new tab
    • Download powerpoint
    Figure 2

    Ilia Repin, Arrest of a Propagandist (1880–92). Tretyakov State Gallery, Moscow. Used by permission.

  • Figure 3
    • Download figure
    • Open in new tab
    • Download powerpoint
    Figure 3

    Ilia Repin, A Revolutionary Meeting (Skhodka) (1883). Tretyakov State Gallery, Moscow. Used by permission.

  • Figure 4
    • Download figure
    • Open in new tab
    • Download powerpoint
    Figure 4

    Ilia Repin, Ivan the Terrible and His Son Ivan on November 16, 1581 (1885). Tretyakov State Gallery, Moscow. Used by permission.

Tables

  • Figures
  • Table 1

    Reform Era historians on the identity of the False Dmitry

    WriterWorksConclusions
    UstrialovPreface to the third edition of Contemporaries’ Tales of the Pretender Dmitry (1859)aThe pretender's identity is still a mystery; all previous accounts have been incomplete.
    KostomarovWho Was the First False Dmitry? (1864)bThe pretender was neither Grishka Otrepev nor the real tsarevich Dmitry, but someone else who sincerely believed he was Ivan's son.
    Bitsyn (Pavlov)“The Truth about the False Dmitry” (1864)cGrishka Otrepev was groomed for the pretendership while in Moscow, but he switched places with someone else (identity unknown) in Lithuania.
    Ikonnikov“Who Was the First Pretender?” (1865)dThe pretender was the legitimate tsarevich Dmitry, who survived the assassins’ attack.
    Dobrotvorsky“Who Was the First False Dmitry?” (1866)eThe pretender was Grishka Otrepev.
    Soloviov“Notes on Pretenders in Russia” (1868)fThe pretender was Grishka Otrepev, who sincerely believed he was Ivan's son.
    • ↵a Ustrialov, Skazaniia sovremennikov.

    • ↵b Kostomarov, Kto byl pervyĭ Lzhedmitriĭ?

    • ↵c Bitsyn, “Pravda o Lzhedmitrii.”

    • ↵d Ikonnikov, “Kto byl pervyĭ samozvanets?”

    • ↵e Dobrotvorskiĭ, “Kto byl pervyĭ Lzhedmitriĭ?”

    • ↵f Solov'iov, “Zametki o samozvantsakh.”

PreviousNext
Back to top

Vol. 70 No. 1, Spring 2017

Journal of the American Musicological Society: 70 (1)
  • Table of Contents
  • Table of Contents (PDF)
  • Cover (PDF)
  • Index by author
  • Front Matter (PDF)
eTOC Alert

RSSRSS Icon

Email

Thank you for your interest in spreading the word on Journal of the American Musicological Society.

NOTE: We only request your email address so that the person you are recommending the page to knows that you wanted them to see it, and that it is not junk mail. We do not capture any email address.

Enter multiple addresses on separate lines or separate them with commas.
Boris Godunov and the Terrorist
(Your Name) has sent you a message from Journal of the American Musicological Society
(Your Name) thought you would like to see the Journal of the American Musicological Society web site.
Print
Alerts
Sign In to Email Alerts with your Email Address
Citation Tools
Boris Godunov and the Terrorist
Emily Frey
Journal of the American Musicological Society, Vol. 70 No. 1, Spring 2017; (pp. 129-169) DOI: 10.1525/jams.2017.70.1.129
Emily Frey
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site

Citation Manager Formats

  • BibTeX
  • Bookends
  • EasyBib
  • EndNote (tagged)
  • EndNote 8 (xml)
  • Medlars
  • Mendeley
  • Papers
  • RefWorks Tagged
  • Ref Manager
  • RIS
  • Zotero
Request Permissions
Share
Boris Godunov and the Terrorist
Emily Frey
Journal of the American Musicological Society, Vol. 70 No. 1, Spring 2017; (pp. 129-169) DOI: 10.1525/jams.2017.70.1.129
Emily Frey
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
del.icio.us logo Digg logo Reddit logo Technorati logo Twitter logo CiteULike logo Facebook logo Google logo Mendeley logo
View Full Page PDF
  • Tweet Widget
  • Facebook Like
  • Google Plus One
  • Top
  • Article
    • Abstract
    • Populism, Protest, and the Pretender-Idea
    • Ideas and Individualities: Writing the Russian Radical
    • Tenor Pretender
    • Reverberations
    • Notes
    • Works Cited
  • Figures & Data
  • Info & Metrics
  • PDF

Related Articles

Cited By...

Similar Articles

FIND US Facebook Account LinkRSS Feeds LinkTwitter Account LinkLinkedin Account LinkYoutube Account LinkEmail Link

Customer Service

  • Subscribe
  • Reprints and Permissions
  • Contact

UC Press

  • About UC Press

Navigate

  • Home
  • About
  • Submit
  • Editorial
  • Contact

Content

  • Current Issue
  • All Content

Info For

  • Librarians
  • Authors
  • Advertisers
  • Members
  • Subscriptions and Single Issues

Copyright © 2018 by the American Musicological Society   Privacy   Accessibility