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Journal of the American Musicological Society

Rape and Repentance in Two Medieval Motets
Jennifer Saltzstein
Journal of the American Musicological Society, Vol. 70 No. 3, Fall 2017; (pp. 583-616) DOI: 10.1525/jams.2017.70.3.583
Jennifer Saltzstein
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Article Information

DOI 
https://doi.org/10.1525/jams.2017.70.3.583
Publication Date 
  • Published online December 22, 2017.

Published By 
University of California Press Journals
Print ISSN 
0003-0139
Online ISSN 
1547-3848

Copyright & Usage 
© 2017 by the American Musicological Society. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.

Author Information

  1. Jennifer Saltzstein

    JENNIFER SALTZSTEIN is Associate Professor of Musicology at the University of Oklahoma. She is the author of The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry (D. S. Brewer, 2013) and editor of Musical Culture in the World of Adam de la Halle (Brill, forthcoming). She was awarded a National Endowment for the Humanities Fellowship in 2016 and is currently writing a book on music and the environment in the thirteenth century.

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Vol. 70 No. 3, Fall 2017

Journal of the American Musicological Society: 70 (3)
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Rape and Repentance in Two Medieval Motets
Jennifer Saltzstein
Journal of the American Musicological Society, Vol. 70 No. 3, Fall 2017; (pp. 583-616) DOI: 10.1525/jams.2017.70.3.583
Jennifer Saltzstein
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Rape and Repentance in Two Medieval Motets
Jennifer Saltzstein
Journal of the American Musicological Society, Vol. 70 No. 3, Fall 2017; (pp. 583-616) DOI: 10.1525/jams.2017.70.3.583
Jennifer Saltzstein
  • Find this author on Google Scholar
  • Search for this author on this site
  • View author's works on this site
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    • Abstract
    • Dramatizing Rape: “Hé, Marotele / En la praerie / Aptatur”
    • Sin and Its Consequences: Narrative Continuation in “Hé, mere Diu / La virge Marie / Aptatur”
    • Violence, Performance, Communication
    • Conclusions: Listening, Then and Now
    • Appendix
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