Bulletin of the American Musicological Society: 11-13

Vol. 11-13, Sep., 1948

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General Reports, 1945, 1946, 1947
(pp. 1-8) DOI: 10.2307/829257

Abstracts of Papers Read before Chapters, 1945, 1946, 1947

Greater New York Chapter

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Music As Propaganda
Henry Cowell

(pp. 9-11) DOI: 10.2307/829258
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The Highway and the Byways of Tonal Evolution
Joseph Yasser

(pp. 11-14) DOI: 10.2307/829259
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Music of the Middle Ages
Erich Hertzmann

(pp. 14-15) DOI: 10.2307/829260
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On the Interpretation of the Sacred Choral Music of the Sixteenth Century
Lowell P. Beveridge

(p. 16) DOI: 10.2307/829261
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Modern Organs along Old Lines
Ernest White

(pp. 16-17) DOI: 10.2307/829262
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Béla Bartók as a Folklorist-Composer
George Herzog

(pp. 17-18) DOI: 10.2307/829263
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Byzantine Psalmody and Its Possible Connection with Hebraic Cantillation
Oliver Strunk

(pp. 19-21) DOI: 10.2307/829264
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Jazz; The Evolution of a Style
Lois von Haupt

(pp. 21-22) DOI: 10.2307/829265
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The Musical Life of a Flemish City in the Sixteenth Century
Edward E. Lowinsky

(p. 23) DOI: 10.2307/829266
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Music of the Fifteenth Century
Paul Hindemith

(pp. 23-24) DOI: 10.2307/829267
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Origins of Byzantine Music
Egon Wellesz

(pp. 25-26) DOI: 10.2307/829268
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Rhythm and Tempo in Bach's Time
Fritz Rothschild

(pp. 27-28) DOI: 10.2307/829269

New England Chapter

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Clavichord Music from 1500-1800
Erwin Bodky

(pp. 28-29) DOI: 10.2307/829270
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The Fine Art of Musical Dictionary Making
Nicolas Slonimsky

(pp. 29-30) DOI: 10.2307/829271
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The Music of the Spheres
Otto Kinkeldey

(pp. 30-32) DOI: 10.2307/829272
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Ravenscroft's Psalter, 1621; And Its Place in the Early New England Scene
Elna Sherman

(pp. 32-34) DOI: 10.2307/829273
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The Missing Term between Polyphony and Homophony
Henry Leland Clarke

(pp. 35-36) DOI: 10.2307/829274
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The French Chanson between 1400 and 1450
Elmer Olsson

(pp. 36-37) DOI: 10.2307/829275
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The So-Called Violin Sonatas of Haydn
Klaus G. Roy

(pp. 38-40) DOI: 10.2307/829276

Midwestern Chapter

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Brahms and Wagner. Their Artistic and Personal Relations, Illustrated by Quotations from Unknown Sources
Robert Hernried

(pp. 40-41) DOI: 10.2307/829277
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Some Aspects of Form in the Symphonies of Sibelius
William G. Hill

(p. 41) DOI: 10.2307/829278
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The Song "Dixie"
Hans Nathan

(pp. 42-43) DOI: 10.2307/829279
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Some Questions about Okeghem
Gordon Sutherland

(pp. 43-44) DOI: 10.2307/829280
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A Forgotten Liszt Biography
Margit Varro

(p. 44) DOI: 10.2307/829281

Northern California Chapter

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Harmonic Aspects of Classic Form
Leonard Ratner

(pp. 45-46) DOI: 10.2307/829282

Northwestern Chapter

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Women's Participation in Music during the Early Christian Period
Edith Woodcock

(pp. 46-47) DOI: 10.2307/829283
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The Mexican Ordinarium of 1556
Kathleen Munro

(pp. 47-48) DOI: 10.2307/829284

Southeastern Chapter

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Problems in Sonata History
William S. Newman

(pp. 49-50) DOI: 10.2307/829285
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The Brahms-Joachim Exercises in Counterpoint
Leonard Ellinwood

(pp. 50-51) DOI: 10.2307/829286
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Elements of a Music Logic
Charles Seeger

(pp. 51-53) DOI: 10.2307/829287
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Hrotsvitha and Music
Bernard Stambler

(pp. 53-54) DOI: 10.2307/829288
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A Presumed Crowning of Francesco Landini
Ettore Li Gotti

(p. 55) DOI: 10.2307/829289
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The Military Music of the Ottoman Turks
William Lichtenwanger

(pp. 55-57) DOI: 10.2307/829290
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Music in the United States, 1840-50
Lee Fairley

(pp. 57-58) DOI: 10.2307/829291
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Indian Music of Mexico and Guatemala
Henrietta Yurchenco

(pp. 58-59) DOI: 10.2307/829292
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The Polychoral Motets of Adam Gumpelzhaimer [1559-1625]
Frank C. Campbell

(pp. 59-61) DOI: 10.2307/829293
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Trumpet and Horn in the Church Music of Bach and His Contemporaries
J. Murray Barbour

(pp. 61-62) DOI: 10.2307/829294
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Recent Studies by Italian Scholars on the "Ars Nova"
Elio Gianturco

(pp. 62-63) DOI: 10.2307/829295
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Rhythm and Meter in the Notre-Dame Conductus
Manfred F. Bukofzer

(pp. 63-65) DOI: 10.2307/829296
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History of the Theory of Form in Music
Hermann Reichenbach

(pp. 65-67) DOI: 10.2307/829297
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Music as a Language of Emotion
Carroll C. Pratt

(pp. 67-68) DOI: 10.2307/829298

Southern California Chapter

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Overtones and Music Theory
Gerhard Albersheim

(pp. 69-71) DOI: 10.2307/829299

Texas Chapter

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The Function of Music in the Catholic Mass
M. Elaine

(pp. 71-72) DOI: 10.2307/829300
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The Problem of Musical Expression
Eric Sorantin

(pp. 72-74) DOI: 10.2307/829301
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A Brief Survey of English Comic Opera 1750-1800
Michael Winesanker

(pp. 74-75) DOI: 10.2307/829302
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The Predecessors of the Sonata da Chiesa
Homer Ulrich

(pp. 75-76) DOI: 10.2307/829303
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Chamber Music in America before 1800
Wiley L. Housewright

(pp. 76-78) DOI: 10.2307/829304
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Art and Virtuosity
Warren D. Allen

(p. 78) DOI: 10.2307/829305
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Haydn and the String Quartet
Homer Ulrich

(pp. 79-80) DOI: 10.2307/829306
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The Trio by Walter Piston
Joseph Kirschbaum

(p. 80) DOI: 10.2307/829307
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Form and Style in the "Odhecaton" and "Canti B" of Petrucci
Helen Hewitt

(pp. 80-81) DOI: 10.2307/829308
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The Organ in America before 1800
Wiley L. Housewright

(pp. 81-82) DOI: 10.2307/829309
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Musico-Dramatic Criticism of English Comic Opera 1750-1800
Michael Winesanker

(pp. 82-83) DOI: 10.2307/829310
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Remarks on Brahms' Piano Style
Walter Robert

(pp. 83-84) DOI: 10.2307/829311
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Pentatonic Melodies and Their Expression in the Twelve-Tone Technique
Russell G. Harris

(pp. 84-85) DOI: 10.2307/829312
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Spanish Madrigals
John Woldt

(p. 85) DOI: 10.2307/829313
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The Analysis of Form in Music
E. W. Doty

(p. 86) DOI: 10.2307/829314
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The Twelve-Tone Series as Cantus Firmus: A Discussion of Ernst Krenek's "Five Prayers"
Wilbur Ogdon

(pp. 86-88) DOI: 10.2307/829315

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List of Papers Read At Annual Meetings, 1945 and 1946
(pp. 88-89) DOI: 10.2307/829316
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Officers and New Members, 1947
(p. 89) DOI: 10.2307/829317

Table of Contents

Abstracts of Papers Read before Chapters, 1945, 1946, 1947

Greater New York Chapter

New England Chapter

Midwestern Chapter

Northern California Chapter

Northwestern Chapter

Southeastern Chapter

Southern California Chapter

Texas Chapter

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