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Journal of the American Musicological Society

Table of Contents

Vol. 11-13, Sep., 1948

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    General Reports, 1945, 1946, 1947
    (pp. 1-8) DOI: 10.2307/829257

Abstracts of Papers Read before Chapters, 1945, 1946, 1947

Greater New York Chapter

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    Music As Propaganda
    Henry Cowell
    (pp. 9-11) DOI: 10.2307/829258
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    The Highway and the Byways of Tonal Evolution
    Joseph Yasser
    (pp. 11-14) DOI: 10.2307/829259
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    Music of the Middle Ages
    Erich Hertzmann
    (pp. 14-15) DOI: 10.2307/829260
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    On the Interpretation of the Sacred Choral Music of the Sixteenth Century
    Lowell P. Beveridge
    (p. 16) DOI: 10.2307/829261
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    Modern Organs along Old Lines
    Ernest White
    (pp. 16-17) DOI: 10.2307/829262
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    Béla Bartók as a Folklorist-Composer
    George Herzog
    (pp. 17-18) DOI: 10.2307/829263
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    Byzantine Psalmody and Its Possible Connection with Hebraic Cantillation
    Oliver Strunk
    (pp. 19-21) DOI: 10.2307/829264
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    Jazz; The Evolution of a Style
    Lois von Haupt
    (pp. 21-22) DOI: 10.2307/829265
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    The Musical Life of a Flemish City in the Sixteenth Century
    Edward E. Lowinsky
    (p. 23) DOI: 10.2307/829266
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    Music of the Fifteenth Century
    Paul Hindemith
    (pp. 23-24) DOI: 10.2307/829267
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    Origins of Byzantine Music
    Egon Wellesz
    (pp. 25-26) DOI: 10.2307/829268
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    Rhythm and Tempo in Bach's Time
    Fritz Rothschild
    (pp. 27-28) DOI: 10.2307/829269

New England Chapter

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    Clavichord Music from 1500-1800
    Erwin Bodky
    (pp. 28-29) DOI: 10.2307/829270
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    The Fine Art of Musical Dictionary Making
    Nicolas Slonimsky
    (pp. 29-30) DOI: 10.2307/829271
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    The Music of the Spheres
    Otto Kinkeldey
    (pp. 30-32) DOI: 10.2307/829272
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    Ravenscroft's Psalter, 1621; And Its Place in the Early New England Scene
    Elna Sherman
    (pp. 32-34) DOI: 10.2307/829273
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    The Missing Term between Polyphony and Homophony
    Henry Leland Clarke
    (pp. 35-36) DOI: 10.2307/829274
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    The French Chanson between 1400 and 1450
    Elmer Olsson
    (pp. 36-37) DOI: 10.2307/829275
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    The So-Called Violin Sonatas of Haydn
    Klaus G. Roy
    (pp. 38-40) DOI: 10.2307/829276

Midwestern Chapter

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    Brahms and Wagner. Their Artistic and Personal Relations, Illustrated by Quotations from Unknown Sources
    Robert Hernried
    (pp. 40-41) DOI: 10.2307/829277
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    Some Aspects of Form in the Symphonies of Sibelius
    William G. Hill
    (p. 41) DOI: 10.2307/829278
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    The Song "Dixie"
    Hans Nathan
    (pp. 42-43) DOI: 10.2307/829279
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    Some Questions about Okeghem
    Gordon Sutherland
    (pp. 43-44) DOI: 10.2307/829280
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    A Forgotten Liszt Biography
    Margit Varro
    (p. 44) DOI: 10.2307/829281

Northern California Chapter

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    Harmonic Aspects of Classic Form
    Leonard Ratner
    (pp. 45-46) DOI: 10.2307/829282

Northwestern Chapter

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    Women's Participation in Music during the Early Christian Period
    Edith Woodcock
    (pp. 46-47) DOI: 10.2307/829283
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    The Mexican Ordinarium of 1556
    Kathleen Munro
    (pp. 47-48) DOI: 10.2307/829284

Southeastern Chapter

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    Problems in Sonata History
    William S. Newman
    (pp. 49-50) DOI: 10.2307/829285
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    The Brahms-Joachim Exercises in Counterpoint
    Leonard Ellinwood
    (pp. 50-51) DOI: 10.2307/829286
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    Elements of a Music Logic
    Charles Seeger
    (pp. 51-53) DOI: 10.2307/829287
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    Hrotsvitha and Music
    Bernard Stambler
    (pp. 53-54) DOI: 10.2307/829288
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    A Presumed Crowning of Francesco Landini
    Ettore Li Gotti
    (p. 55) DOI: 10.2307/829289
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    The Military Music of the Ottoman Turks
    William Lichtenwanger
    (pp. 55-57) DOI: 10.2307/829290
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    Music in the United States, 1840-50
    Lee Fairley
    (pp. 57-58) DOI: 10.2307/829291
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    Indian Music of Mexico and Guatemala
    Henrietta Yurchenco
    (pp. 58-59) DOI: 10.2307/829292
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    The Polychoral Motets of Adam Gumpelzhaimer [1559-1625]
    Frank C. Campbell
    (pp. 59-61) DOI: 10.2307/829293
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    Trumpet and Horn in the Church Music of Bach and His Contemporaries
    J. Murray Barbour
    (pp. 61-62) DOI: 10.2307/829294
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    Recent Studies by Italian Scholars on the "Ars Nova"
    Elio Gianturco
    (pp. 62-63) DOI: 10.2307/829295
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    Rhythm and Meter in the Notre-Dame Conductus
    Manfred F. Bukofzer
    (pp. 63-65) DOI: 10.2307/829296
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    History of the Theory of Form in Music
    Hermann Reichenbach
    (pp. 65-67) DOI: 10.2307/829297
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    Music as a Language of Emotion
    Carroll C. Pratt
    (pp. 67-68) DOI: 10.2307/829298

Southern California Chapter

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    Overtones and Music Theory
    Gerhard Albersheim
    (pp. 69-71) DOI: 10.2307/829299

Texas Chapter

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    The Function of Music in the Catholic Mass
    M. Elaine
    (pp. 71-72) DOI: 10.2307/829300
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    The Problem of Musical Expression
    Eric Sorantin
    (pp. 72-74) DOI: 10.2307/829301
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    A Brief Survey of English Comic Opera 1750-1800
    Michael Winesanker
    (pp. 74-75) DOI: 10.2307/829302
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    The Predecessors of the Sonata da Chiesa
    Homer Ulrich
    (pp. 75-76) DOI: 10.2307/829303
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    Chamber Music in America before 1800
    Wiley L. Housewright
    (pp. 76-78) DOI: 10.2307/829304
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    Art and Virtuosity
    Warren D. Allen
    (p. 78) DOI: 10.2307/829305
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    Haydn and the String Quartet
    Homer Ulrich
    (pp. 79-80) DOI: 10.2307/829306
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    The Trio by Walter Piston
    Joseph Kirschbaum
    (p. 80) DOI: 10.2307/829307
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    Form and Style in the "Odhecaton" and "Canti B" of Petrucci
    Helen Hewitt
    (pp. 80-81) DOI: 10.2307/829308
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    The Organ in America before 1800
    Wiley L. Housewright
    (pp. 81-82) DOI: 10.2307/829309
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    Musico-Dramatic Criticism of English Comic Opera 1750-1800
    Michael Winesanker
    (pp. 82-83) DOI: 10.2307/829310
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    Remarks on Brahms' Piano Style
    Walter Robert
    (pp. 83-84) DOI: 10.2307/829311
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    Pentatonic Melodies and Their Expression in the Twelve-Tone Technique
    Russell G. Harris
    (pp. 84-85) DOI: 10.2307/829312
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    Spanish Madrigals
    John Woldt
    (p. 85) DOI: 10.2307/829313
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    The Analysis of Form in Music
    E. W. Doty
    (p. 86) DOI: 10.2307/829314
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    The Twelve-Tone Series as Cantus Firmus: A Discussion of Ernst Krenek's "Five Prayers"
    Wilbur Ogdon
    (pp. 86-88) DOI: 10.2307/829315
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    List of Papers Read At Annual Meetings, 1945 and 1946
    (pp. 88-89) DOI: 10.2307/829316
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    Officers and New Members, 1947
    (p. 89) DOI: 10.2307/829317
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Bulletin of the American Musicological Society: 11-13
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  • Abstracts of Papers Read before Chapters, 1945, 1946, 1947
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  • Interesting Haydn: On Attention's Materials
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