Table of Contents

Reviews

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  Review: The Critical Editing of Music: History, Method, and Practice, by James Grier

  Stanley Boorman

  (pp. 359-362) DOI: 10.1525/jams.2001.54.2.359
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  Review: The Motet in the Age of Du Fay, by Julie E. Cumming

  Robert Nosow

  (pp. 362-368) DOI: 10.1525/jams.2001.54.2.362
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  Review: Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Richard Sherr

  Blake Wilson

  (pp. 368-374) DOI: 10.1525/jams.2001.54.2.368
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  Review: Johann Sebastian Bach: The Learned Musician, by Christoph Wolff

  David Yearsley

  (pp. 374-382) DOI: 10.1525/jams.2001.54.2.374
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  Review: Beethoven's Concertos: History, Style, Performance, by Leon Plantinga

  Michelle Fillion

  (pp. 382-388) DOI: 10.1525/jams.2001.54.2.382
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  Review: Amy Beach, Passionate Victorian: The Life and Work of an American Composer, 1867–1944, by Adrienne Fried Block

  Howard Pollack

  (pp. 389-395) DOI: 10.1525/jams.2001.54.2.389
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  Review: Political and Religious Ideas in the Works of Arnold Schoenberg, edited by Charlotte M. Cross and Russell A. Berman. Border Crossings 5. Garland Reference Library of the Humanities 2190; Schoenberg and His World, edited by Walter Frisch. Bard Music Festival Series; Schoenberg, Berg, and Webern: A Companion to the Second Viennese School, edited by Bryan R. Simms

  Julian Johnson

  (pp. 396-405) DOI: 10.1525/jams.2001.54.2.396
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  Review: The Birth of Bebop: A Musical and Social History, by Scott DeVeaux

  Travis A. Jackson

  (pp. 405-412) DOI: 10.1525/jams.2001.54.2.405
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  Review: Conventional Wisdom: The Content of Musical Form, by Susan McClary

  Daniel K. L. Chua

  (pp. 413-417) DOI: 10.1525/jams.2001.54.2.413