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Journal of the American Musicological Society

Table of Contents

Vol. 3, Apr., 1939

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    General Report, 1937
    (pp. 1-2) DOI: 10.2307/829402

Abstracts of Papers Read before Greater New York Chapter

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    The Structure of Musical Collections up to 1750
    Hans Theodore David
    (pp. 2-5) DOI: 10.2307/829403
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    Musical Iconography
    Joseph Muller
    (pp. 6-8) DOI: 10.2307/829404
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    Cerone's Exposition of Mensural Notation, Including Proportions
    Ruth Hannas
    (pp. 8-9) DOI: 10.2307/829405
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    The Evolutionary Conception of Bach Interpretation
    Gerhard Herz
    (p. 9) DOI: 10.2307/829406
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    A Neglected Branch of Musicology: The Dance
    Curt Sachs
    (pp. 9-10) DOI: 10.2307/829407
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    Some Aspects of West African Music
    Laura C. Boulton
    (pp. 10-11) DOI: 10.2307/829408

Abstracts of Papers Read before Western New York Chapter

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    The Chorale Preludes of Johann Pachelbel
    Ruth Melville
    (pp. 11-12) DOI: 10.2307/829409
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    The Folk Song of Northern Italy
    Ermanno F. Gizzarelli
    (pp. 12-13) DOI: 10.2307/829410
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    The Cracow Tablature of 1548
    Harold Gleason
    (p. 14) DOI: 10.2307/829411
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    The Early Literature of the Clavichord
    Carl Parrish
    (pp. 15-16) DOI: 10.2307/829412
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    American Sheet Music in the Early 19th Century
    Barbara Duncan
    (pp. 16-17) DOI: 10.2307/829413

Abstracts of Papers Read before Washington-Baltimore Chapter

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    Music as a Factor in Cultural Strategy in America
    Charles Seeger
    (pp. 17-18) DOI: 10.2307/829414
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    Rhythmic Cadence in Primitive Music
    George Herzog
    (pp. 19-20) DOI: 10.2307/829415
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    Two Musical Manuscripts of the "Manuscrit du Roi"
    Jean Beck
    (p. 20) DOI: 10.2307/829416
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    Some Aspects of Harmonic Treatment in the Four-Part Chorales of J. S. Bach
    Harold S. Cone
    (p. 21) DOI: 10.2307/829417

Abstracts of Papers Read before Mid-Western Chapter

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    A Musician Looks at Scientific Criticism
    Philip G. Clapp
    (p. 22) DOI: 10.2307/829418
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    The Place of Music History in General Cultural History
    Chester V. Easum
    (p. 23) DOI: 10.2307/829419
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    The Elements of Expression in Music
    Donald N. Ferguson
    (pp. 24-26) DOI: 10.2307/829420

Abstracts of Papers Read before New England Chapter

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    The Compositions of John Redford
    Carl F. Pfatteicher
    (pp. 27-28) DOI: 10.2307/829421
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    Music in New England (1799-1852)
    H. Earle Johnson
    (p. 28) DOI: 10.2307/829422
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    Annual Meeting
    (pp. 29-32) DOI: 10.2307/829423
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  • Beethoven Translating Shakespeare: Dramatic Models for the Slow Movement of the String Quartet Op. 18, No. 1
  • Studying the Lied:IntroductionThe Lied from the Inside OutReading Lieder RecordingsDancing Lieder SingingThe German Lied and the Songs of Black VolkThe Lied Itself
  • Schütz's Saul, Saul, was verfolgst du mich? and the Politics of the Thirty Years War
  • The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham
  • Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style
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